Harika Xu

The minimalism of the set (designed by Vanka Salim) allows the actors freedom of movement, and the projections (lighting design by Harika Xu), though somewhat unspecific, are beautifully colourful. So too are the eye-pleasing period costumes (designed by Liz Gao), but one wishes there was more variety; the sole costume change occurred halfway through the second act, though the play takes place over the course of several months. 

No contest: the star of this show is the set/light/projection design by Harika Xu and Vanka Salim. A number of scrims drop down on which are projected changing images of full-blown peonies, yellow daisies, bright red winter berries, falling snow, sleeting rain, flaming fall leaves, dark silent woods. The images also appear as the backdrop with the scrims arranged and re-arranged in front. The effect not only shows the passing seasons but it is breathtakingly lovely. Just when you think it can’t get any better, the projection changes and you catch your breath again. Chances are pretty good that Xu and Salim have studied with Robert Gardiner, indicated in the program as Projection and Lighting Design Advisor. Gardiner is and always has been one of the most exciting teachers/designers in the UBC Theatre department. Full credit, however, goes to Xu and Salim for this loveliest of designs.